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Volume CXXXIII, Number 10
November 16, 2001
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Films challenge Muslim stereotypes
HANNAH DEAN
STAFF WRITER

A young girl caught between the prospects of spiritual salvation and a golden dream of freedom; women simultaneously honored and held prisoner by their own cultures- these were some of the issues raised in Monday's screening of two independent films about the place of women in Islamic societies.

Touching and provocative, the documentaries moved the audience to laughter, to discomfort, and, in some cases, to mild protest. In response to concerns about violence against Arab-Americans and Muslims that has resulted from the September 11 disaster, the Women Make Movies organization has issued selections of movies in order to help educate the general public about the culture and traditions of the Arab and Muslim community, both abroad and in the United States.

The first film, Don't Ask Why, by Sabiha Sumar (1999), examined the thoughts of a 17-year-old Pakistani girl attempting to cope with both the cultural restrictions that her world placed on females, as well as the deep pride that she felt in being a part of her culture.

On the other hand, A Tajik Woman, by Mehrnaz Saeed-Vafa (1994), attempted to reflect upon issues of exile and cultural conflict for Muslim women from Afghanistan and Iran living in the United States.

Munis Faruqui, a Visiting Instructor of History, noted after the showing that in the societies being examined, "women are seen as repositories of identity - of culture, of tradition."

Having been placed upon this honored pedestal, however, the men of the Muslim and Arabic societies give women few ways of stepping down and participating in public life.

Faruqui also noted that both documentaries succeeded in conveying the "interesting interplay of thinking of yourself as Islam and at the same time, rebelling against Islam."

Randolph Stakeman, Associate Professor of History, also appreciated the fact that the movie conveyed the ambiguities that arise when Islamic women attempt to find more freedom while maintaining their proud traditions within the religion of Islam.

Too often, said Stakeman, "we…see things in black and white--on one side there is freedom for women and on the other side there is the patriarchal Islam." As the two films demonstrated, however, matters are not that cut and dry.

If anything, the two films provoked many in the audience to feel that they should examine the place of women in American culture before passing judgment on the complex and often ambiguous aspects of the role that females play in Islamic societies.

The movies were rented from the Women Make Movies organization and the event was organized by Rachel Groner, a Visiting Assistant Professor of Women's Studies.