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A tale of two cities There was some Southern Californian sun shining in Bowdoin's Kresge Auditorium
earlier this week in a pair of lectures depicting the contemporary art
worlds of Los Angeles and New York. Guest lecturer and visiting artist
Tom Krupuk is an abstract painter and professor at California State University,
Long Beach. He is also a friend and former colleague of the art department's
Professor Mark Wethli. Krupuk spoke at an animated, quick pace, and occasionally
used different voices and added poetry. Both of the lengthy lectures were
jam-packed with images and were easy to follow. Krumpak showed slides
of both locations and works of other artists currently living and exhibiting
in New York and Los Angeles. Krumpak's first lecture, entitled "Cool, Calm and Loco: Los Angeles
art in the 21st Century," examined the art in Los Angeles through
a series of more than 300 slides of artwork and images of the city itself.
He took the audience from Santa Monica to South Central L.A., then over
to Chinatown and into West Hollywood, without neglecting popular attractions
such as Disneyland, Knox Berry Farm and Las Vegas-places that have a strong
influence on Los Angeles even though they are not actually located in
the city. Krupuk took the audience on a tour from gallery to gallery, looking at
art and the influences on the artists making the art. Krumpak described
L.A. as a combination, or cross, between hell and paradise, and how the
city, along with other influences such as drugs, cars and large ethnic
populations, impacts the current art scene. Krupuk spoke about all aspects
of life in L.A. from food to drinking to scenery and culture, and his
slides showed both figurative and abstract works. Each work, in its own
way, spoke about life in Los Angeles. Krumpak's lecture on the following evening, entitled "On street,
under bridge, in café: art seen in New York 99-02," addressed
the art scene in New York City. Krupuk delivered this lecture with the
same level of enthusiasm as the first, and this virtual tour traveled
not only to galleries, but also to many restaurants and local hang-outs.
He showed slides from the Dia Center for the Arts in Chelsea and MoMA'
s P.S. 1 Center for Contemporary Art in Long Island City. He began with
the galleries on 57th Street, headed downtown to Broadway and Chelsea,
and then to the West and East Villages. Finally the tour displayed aspects
of both Queens and Brooklyn, two quickly emerging centers for art and
artists because, as Krupuk put it, "There is no way any artist would
be able to afford to live and work in Manhattan." In the span of two nights, Tom Krupuk gave Bowdoin two extremes of the American art world. He introduced the art and culture of both coasts, took the audience to two vastly different, highly populated, multi-cultured cities, and showed the art that is being produced, made, marketed and enjoyed in each. |
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