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The Aardvark Jazz Orchestra
One of Boston's most accomplished and permanent jazz groups, the Aardvark
Jazz Orchestra, will be visiting Bowdoin's Pickard Theatre this coming
Saturday, February 9th. Founded twenty-nine years ago, the group has played
numerous hot jazz spots in Boston and around the globe, with an upcoming
gig scheduled in one of Boston's premier joints, the Regatta Bar. It includes
eighteen members, consisting of brass, percussion, basses, and occasional
piano and guitar. "When you hear a concert of ours, you're liable to hear almost anything,"
said Mark Harvey, the group's musical director, in an interview on February
4. "One of our trademarks is that we try to be eclectic. Like the
New England weather, if you don't like one piece, you'll like the next."
He cited late American jazz legend Duke Ellington as Aardvark's main
influence, but included both classical and jazz composers such as Americans
Charles Ives, Aaron Copland, John Cage, Dizzy Gillespie, as well as Sergei
Prokofieff and Stravinsky, not to mention "experimental classical
stuff" as well. The result, however, is most certainly a blend, a
style unique to the group. Clearly, however, Ellington is a primary force behind Harvey's work with
the group. The group plans to play several of his classics, including
"Caravan" and "Such Sweet Thunder." Ellington is a
fixture in American jazz, often cited as one of the first "crossover"
jazz artists, to incorporate themes and elements from other musical styles
in his work, especially classical. The group includes both young stars of the eastern jazz scene as well
as long-popular fixtures, such as former Bowdoin faculty member, jazz
guitarist Richard Nelson. Nelson will premier an orchestral version of
his trio piece, "Dark Side" this Saturday. "For me
they're just totally integrated
so I don't really
think about [the variance in influence]," explained Harvey. Despite the mixed background, all are primarily twentieth century composers
and musicians. Aardvark is an unmistakably modern group that runs the
gamut of a straight jazz performance. From "straight blues"
to a "more classical sound," to "straight funk," they
play it all. "I also try to include other elements as well," said Harvey, "World music and pop, some rock jazz has come so far this century, I see no reason to limit it." |
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